Virtue and Moir, who have been at the top of the sport for a decade, were the 2010 champions, but lost their crown in 2014 to the now-retired American team of Meryl Davis and Charlie White.
In a performance by turns athletic, sensual and expressive, the Canadian ice dancing team of Tessa Virtue and Scott Moir reclaimed the Olympic gold medal on Tuesday.
Virtue and Moir, who have been at the top of the sport for a decade, were the 2010 champions, but lost their crown in 2014 to the now-retired American team of Meryl Davis and Charlie White.
Gabriella Papadakis and Guillaume Cizeron of France, two-time world champions making their Olympic debut, were second by less than a point, 206.07 to 205.28.
The French team, skating to “Moonlight Sonata,” gained the higher score in the free dance, but the Canadians’ edge in the short program Monday made the difference.
Papadakis suffered a wardrobe malfunction during the short program that revealed her breast and seemed to leave the couple somewhat unnerved and guarded. She called it her “worst nightmare.”
The brother-and-sister pair of Alex and Maia Shibutani of the United States won the bronze medal.
As expected, the gold medal came down to the Canadian and French teams, who train in Montreal with the same coaches but present a marked contrast in style at a potentially transformational moment for the sport. Ice dancing is being energized by an inventive sense of flow and is trying to gain new respect where it was once mocked for a seeming lack of sporting legitimacy.
Virtue, 28, and Moir, 30, have maintained their elite international standing for nearly a decade with the speed, power, control and passion of their performances.
Papadakis, 22, and Guillaume, 23, have brought an ethereal freshness to ice dancing with their seamless movement across the ice. Descriptions of their performances, especially the “Moonlight Sonata” routine used at Tuesday’s free skate, venture into the rapturous.
Tom Zakrajsek, a top U.S. coach: “They don’t look like they’re skating; they look like they’re dancing.”
Jackie Wong, a prominent skating analyst from New York: “You think about them being absorbed by the music. It’s like they are the music floating around the ice.”
Luca Lanotte, an Italian ice dancer: “They are not even two humans; it is one thing that moves on the ice. An action of him is a reaction of her.”
In 2010, Virtue and Moir became the first North Americans to win Olympic gold in ice dancing, a sport once dominated, with some notable exceptions, by Soviet and Russian skaters.
Last week, Virtue and Moir won a second gold medal, in the team skating event. A third gold places them among legends in the sport, alongside Gillis Grafstrom of Sweden, who won the men’s singles competition in 1920, 1924 and 1928; Sonja Henie of Norway, who won the women’s singles in 1928, 1932 and 1936; and Irina Rodnina, the Soviet pairs skater who swept three consecutive golds with two partners in 1976, 1980 and 1984.
Virtue and Moir now have five career Olympic medals, the most among figure skaters, though earlier generations did not have a chance to compete in the Olympic team competition, which began at the 2014 Games.
Ice dancing often does not receive the same respect from outsiders as singles and pairs skating. No throws or jumps or lifts above the head are allowed. That can make it difficult to discern between competitors based on the precision and edge control of their dance steps, unless someone makes an obvious mistake as they earn points with step sequences and permitted lifts.
The Canadian and French couples are highly regarded across the sport, given their accomplishments and fearlessly aspirational performances. Virtue and Moir carried the flag for Canada in the opening ceremony at these games.
“One thing I’ve always admired, they never seem to play it safe,” Madison Hubbell, an American who competed with Zachary Donohue, said of the Canadians.
For many fans of ice dancing, Jayne Torvill and Christopher Dean of Britain remain the best ever, signature innovators whose gold medal “Bolero” routine at the 1984 Winter Olympics remains one of the most memorable moments in figure skating.
But ice dancing is a different sport now, with a different, more objective scoring system.
“The level of dominance for Scott and Tessa over the last eight or nine years is somewhat unprecedented, especially at a time when the sport is much more merit-based,” said Wong, the skating analyst.
Virtue and Moir performed their sensual free skate to music from “Moulin Rouge.” As Lanotte, the Italian ice dancer, noted, the Canadians belong to a generation of dancers where “there is a conversation between the man and the woman” and the man is expected “to make her comfortable so that you can watch her.”
Seeing Virtue and Moir perform is “like reading a book,” Lanotte said. “Every moment tells something different.”
The relationship on the ice between Papadakis and Cizeron is less conventional.
“They’re more like equals,” said Anna Cappellini of Italy, who skates with Lanotte. “They speak through their movement.”
After finishing 13th at the 2014 World Figure Skating Championships, Papadakis and Cizeron vaulted to first place in 2015 and 2016. That was once unheard-of in an event where movement upward was traditionally sclerotic and the results sometimes seemed predetermined. But scoring today is based more on performance than reputation. If Papadakis and Cizeron have not revolutionized ice dancing, they have reframed it.
“They finish, and it’s like you wake and you don’t even realize you were dreaming,” Lanotte said.
Cizeron said: “We’ve got to keep the sport modern and new. That’s what is exciting.”
This article originally appeared in The New York Times.